The "Great World Wide Web is home to a multitude of realities, some more cryptic other and with a purpose, expressive, aesthetic and subversive art. One such reality subversive of the "Big Internet" was represented by Netochka Nezvanova , author of the famous software decomposition "nato.0 +55 +3 d" , a dark stand of reality, a hologram subversive reassuring the challenge mainstream cultural / aesthetic. Often framed in net.art, "she" instead calls "MASCHIN3NKUNZT" art machine, one of the most beautiful and precise definitions, in my opinion, this new aesthetic result of genius and extreme programming, through the 'Successful exploitation techno-expressive unfolds around the world, as an apparently harmless virus but really digs deeply into the common sense of art, with new forms, new approaches and deconstruction, new applications, new sounds ... the extreme techne gives way to an expression twisted and meaningful. For years within the hacker community, artistic and electronic you hear of this "presence" in the Network, appeared on a number of virtual identities: "Antiorp", "integer", "m9ndfukc," "f1f0" "= cw4t7abs "" punktprotokol "," 0f0003 "," m2zk! n3nkunzt " the main pseudonym borrowed from none other than the protagonist of one of the first novels, left incomplete, Dostoevsky, "Netochka Nezvanova" - translated: "anonymous none." After years Netochka Nezvanova remains one of the most mysterious of the Web, rejecting any fixed identity and even challenging the idea that behind his name there is only one person, some of his appearances at events and installations have seen the emergence of women always different, making it impossible physical identification (this is surely one of the most fascinating element of that involved in the spirit of Meta-electronics of Texturalism and of ' electronic expression, which seek forms, methods and models in defining aesthetic and expressive and are dealing with in this site). Researcher and sound experimentation, has developed a vast amount of web pages and musical works: in 1997, along with software projects was released from a CD called Decibel Records "KROP3ROMA9FF" , showing influences arising from the electro-acoustic experimentation up to raids in the territories and industrial techno. His sites are instead visual implosion, which forced to experience frightening even in Network, with an explosion of page elements and a systematic deconstruction of browser. Along with visual and sound production is the incredible work produced by e-mail this entity, which is one with its artistic / aesthetic: his repeated, continuous and violent actions have appeared on various mailing lists and forum, in language at the mercy of different languages \u200b\u200band ASCII codes (called it "Inglese +"). "His e-mail attacks are transformed into a real web performance highlights (at least on the surface) a kind of feminist ideology against a male-dominant culture and corporate, and it can become a more abstract level in a game extreme and very unsettling with electronic communication. Finding the thread of a job as elusive and controversial - starting with the same name - is apparently impossible "[Dina metagallery]. " Netochka is personified from time to time by the female person, and mystery helps to fuel the legend. Represents the loss of subjectivity and the attitude of many projects nomadic Internet users [...]. To communicate using a complex personal language, the result of a mix of English, French, German and various interjections. The graphics on your site is minimal and green phosphor monitors the sequence of pages does not comply alcun tipo di logica, accostando valanghe di caratteri incomprensibili a lunghi testi teorici di stampo femminista e anticorporativo[...]. Poetica: La definizione che Netochka Nezvanova da della sua opera è non a caso maschin3nkunst, "arte della macchina": fare progressivamente il vuoto, svuotare qualsiasi significato attraverso la radicalizzazione dei significanti, abolire l'io narrante, l'individualità, a vantaggio di una sorta di antinarrazione totale, spersonalizzata, macchinica. Si mette in atto una strategia paradossale dell’affermare negando o apparire scomparendo. Software art"[Wikiartpedia].
STORIA DI UNA NON-IDENTITA'. DALLE MAILING LIST AI PROGRAMMI DI DECOSTRUZIONE VISIVA. LA PIATTAFORMA SEMINALE DELLA NET.ART. Una delle prime identità, "=cw4t7abs", comparve nei primi anni '90 su una serie di mailing list e newsgroup relative alla produzione di musica elettronica (ad esempio quella sul sintetizzatore Kurzweil K2000) e Usenet groups, inondandoli di messaggi spam arroganti e senza senso, pieni di insulti e provocazioni, ASCII art astratta e precisi attacchi personali, poesia idiosincratica ed eccentrica. I contributi più rilevanti di Netochka infatti sono, oltre ai portentosi software e alla programmazione, gli interventi in Rete, i post ("Nezvanova's postings can be considered similar to a digitally dadaist version of stream of consciousness writing, she has made "email" into a form of artwork) , are the true expression through the mailing list, taking control of threads and discussions technical or artistic works, known as the mailing list dedicated to the European net.art 'Syndicate' . It was in fact that the period of net.art that, just as the 'Glitch' in electronic music, born of a malfunction, when, in December 1995, Vuk Cosic-famous for his experiments ASCII and for having coined the term net.art - Open an anonymous e-mail or damaged during its transmission and in the midst of an indeterminate group of alphanumeric characters, he managed to decipher a single word, "net.art" who later used it to talk about art and online communication. Born community for discussion and criticism of techno-social , 
experience of 'deconstruction CHOIR' THE EXPERIMENTAL SOUND - ELECTRONIC ARTS AND MULTIMEDIA WORKS. The power of Netochka Nezvanova was the subversion of the production and use of the product electronic artists. One thing I'm certainly aware electronic musicians is his own difficulties when performing: the scene is devoid of "human elements" were replaced by machinery and computers ("you are watching an artist on stage sitting in front of his laptop to keep pace with the head ... is there a musician on stage that controls the e-mail or play some video games "); the software Netochka however, gives viewers a complex visual to look at and 'to bring' while listening, an experience that involves the whole spectrum of meaning, production and execution becomes spontaneously electronic art installation, fusion of multiple elements in the commotion curdled sonoro dell'electronic music...una "decostruzione corale" : campionamenti audio, campionamenti video, visual remixes interconnessi alle textures ritmiche provenienti dai laptop. Il video non è pre-programmato e in seguito proiettato, ma editato in tempo reale da videoartisti " illuminati dalla luce azzurra dei loro monitor. Nei casi migliori, il video e la musica producono un'esperienza coordinata di improvvisazione".
"NATO.0+55+3d.MODULAR"- SPERIMENTAZIONE GENERATIVA AUDIO/VISIVA. 'Nato.0+55+3d.modular' è il software 'Korporat Warfare' per piattaforma Mac che ha letteralmente revolutionized the manipulation in real-time audio and video, far outpacing all other applications on the market, flexibility, creative possibilities, management complexity and speed ( "with the latest additions to the possibility firewire output, and direct streaming, born .0 +55 is now a complete environment for net video performance "[Integer> Nettime.org] ). 'Nato.modular' is built on the platform 'MAX' (Cycling'74) -graphical programming environment for music and multimedia applications, making full use of the programming paradigm latter's modular infrastructure , allowing a huge flessibilità nella costruzione creativa di strutture nello spazio. In Max/MSP infatti si "assmblano" applicazioni connettendo tra loro degli oggetti grafici che possono eseguire calcoli, produrre o elaborare suoni, creare immagini, o essere usati come pura interfaccia grafica. Si possono così creare sintetizzatori, campionatori, riverberi, effetti e molto altro. In pratica viene adottata la metafora del synth modulare: ciascun modulo svolge una particolare funzione e passa le informazioni ai moduli a cui è connesso . La differenza da altri "environment" è che con Max/MSP si lavora ad un livello di dettaglio impensabile per un sintetizzatore tradizionale (hardware o software che sia). A partire da tale "ambiente", with '+55' Nato.0 manipulation of visual elements come to any multimedia interaction: 2D and 3D VR (virtual reality), DV (digital video), Live-Video, FireWire, QuickTime, Flash, MP3, OpenGL and real-time Internet streaming. Released in the summer of 1999, "nato.0 +55 +3 d.modular," he anticipated the times with regard to the development of 'extarnals' , in anticipation of infrastructure such as ' GEM' ( Graphics Environment for Multimedia) and 'Jitter' - produced directly from Cycling'74 - along with 135 modules that expand the possibilities for Max to the 3D graphics processing, allow for flexibility and immediacy of working with an image similar to the way of working with sounds in 'MSP'. Initial experiments in this direction are represented by programs such as the legendary 'Image / ine' , created by the equally mythical 'STEIM' , Studio for Electro-Instrumental Music Centre Research and development of instruments and tools for performing arts electronic located in Amsterdam, Nederlands, with whom he collaborated extensively Netochka Nezvanova under the person / physical identity of Rebekah Wilson , artista interessantissima per quanto riguarda installazioni ed arti multimediali (sul network STEIM se ne parlerà più approfonditamente in futuro su "Meta-Electronica Research" ). 'Image/ine' è uno dei tools più significativi prodotti da STEIM -primo software per Macintosh per la manipolazione video in realtime, 
OTHER APPLICATIONS Netochka Nezavanova. F0003 propaganda '0 ' (1998) software created with Max / MSP that algorithmically generated animated graphics and sounds synthetic in terms of aesthetics refers to the demoscene and all'8bit. 'B1257 +12' (1998) is a software for the deconstruction of sound and composition, built with Max / MSP, the interface is minimal yet intricate, allows a radical manipulation of sound and in soundloop real-time control over a large parameter (the name comes from "PSR B1257 +12, a pulsar-neutron star in the constellation Virgo, which rotates very quickly, showing anomalies in the pulsation period). @ ¶ ® ≠ 31 Ÿ (1998), software built with 'Max / MSP' that randomly samples extracted from a CD, creating a mixing stochastic -specific to be used with the release of Netochka Nezvanova "krop3roma9ff. '+99' m9ndfukc.0 and ' +2' k! berzveta.0 (1999) are two programs written in Java that interpret data connections, most likely pre-release versions of 'Nebula. M81 '. '+2' kinematek.0 (1999), another application written in Java that incorporates elements of ' Nebula.m81 ' ( performs "animated image from the Internet generation www date "). 'nebula.m81' (1999) is a web browser experimental written in Java, which translates the HTML code into images and sounds abstract, it is basically a " processor Cosmetic code that retrieves HTML pages at random from the Web, transforming them into clusters of text, images and sounds triggered by specific systems. Awarded to '' International Music Software Competition ' in Bourges in 1999 and' Transmediale ' in 2001 - first prize in the category' Artistic Software '. '! = z2c! ja.0 +38' (1999), application built with Max / MSP that uses the power of 'QuickDraw' creating a dense visual text, as a first step towards the concept of '+55' nato.0.
CONCLUSIONS . -Si conlude here on this first part Netochka Nezvanova, soon to return to 'Metaelectronica Research' in order to explore issues related to the expression hypertext electronic and audio-visual "Today it seems that NN has been an international collective project and that the person wrote that NATO is not the same storm that the network messages. The project was presented as a religious cult, with its software as an object of worship "['Piet Zwart Institute for postgraduate- studies and research '] . The truth behind the mystery of Netochka Nezvanova thus seems even more complex than what you could imagine. Korporat Warfare , the collective NATO , Netochka Nezvanova , the many people who have represented the face of NN, multimedia works, the business behind Born , etc ... in many ways behind a ' idiosyncratic and collective action with a big question left for all the real reasons: artistic or commercial? Many disagree on this. To me personally but it seems the least interesting beyond all what I think is important to deepen the "method" that Netozhka Nezvanova left, whatever were the intentions. Browsing through the hundreds of pages around the net interventions, comments, accusations, criticisms, cryptic explanations, what emerges is a "method hypertext" inherent expressive language in the strict sense, a way of 
"Tutto questo gioco di inganni sarebbe solo un inutile strategia di beffa elettronica se non ci fosse in gioco del denaro "La gente di Nato inveisce continuamente contro le corporation e il capitalismo, ma si comportano come il peggior capitalismo con le loro tattiche monopolistiche e le loro tariffe scorrette," dice ancora Hise. Netochka deve essere sopportata in tutte le sue stranezze, se vuoi usare il suo software. Questo è il suo asso nella manica. Lei ha qualcosa che un piccolo gruppo di artisti vuole, e loro hanno bisogno di lei per il supporto tecnico e gli aggiornamenti. E anche se non foste totalmente votati al suo software, l'anonimità della Rete rende Netochka imprendibile.[...] Lei è una capitalista che grida per l'anti-capitalismo, un'artista che fa infuriare gli artisti, un fenomeno della Rete che terrorizza il suo stesso mezzo di comunicazione. Lei fa da contrasto, da cartina da tornasole, da filtro che ci mostra le nostre reazioni a quello che fa. E, come dice lei stessa, è come ci mettiamo in relazione con i tipi come lei - e non il codice - il nocciolo duro della tecnologia"[ Katharine Mieszkowski].
Links & Inputs:
- A dialogue with Netochka Nezvanova
- A discussion of NATO +3 d modular
- Nato.0 +55 +3 d: Synopsis (V2 Archive)
- Nato.0 +55 +3 d The most feared woman
- network
- Netochka Nezvanova (Wikipedia)
- Integer on Sat April 21 2001 - Nettime.org
- Nebula.m81.0 +2
- Text by NN
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